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When youre composing a short story or book, one of the most crucial choices youll make is identifying which characters point of view (POV) you desire to utilize. For some storylines, the point of views of two or more characters may be equally essential to the plot. A multi-POV brief story or novel follows numerous characters point of views, changing between storytellers at key minutes.
5 Secrets To Successfully Writing A Multi-POV Short Story Or Novel
Do not include a lot of POV characters. Some stories (like George R.R. Martins A Song of Ice and Fire series) can use many POV characters to their benefit– however this is the exception, not the guideline. In general, short stories and multi-pov novels will have simply 2 or three point-of view characters. Going from one perspective to another to another in between a lot of characters can confuse your readers and make it tough to follow the plot or feel an increasing sense of stress. Attempting to write too numerous POV characters might likewise stretch your writing skills too thin and not leave you sufficient time or space to fully establish your characters or the story arc.
Keep smooth, clear shifts when changing between POV characters– it can be extremely jarring for your readers to switch perspectives suddenly. Plus, ending on a cliffhanger for one character and then switching to another perspective can be an exceptionally helpful tool in building stress and momentum in your story.
Offer each POV character a distinct voice. Each character needs to sound unique enough that readers can follow whos who. Producing a full personality for each of your characters will help their voices sound specific and genuine.
We would not recommend composing one scene multiple times from each characters point of view (although it can be done effectively if dealt with correctly). Of course, more than one POV character might be present, so youll have to decide which character must narrate that scene. Will a certain characters point of view or narrative design make the scene more impactful?
You dont have to provide each POV character precisely the same number of pages or chapters, however its a great idea to keep this approximately even. In a multi-POV story, no one character needs to have more weight than the others.
Picking to use a multi-POV structure, though challenging and time-consuming to write, might include a compelling element to your story or book that will engage your readers and keep them interested. And if your present unique or narrative isnt working, think about the viewpoint youve selected: A modification in characters perspectives or changing to a multi-POV format might revive your work!
Concern: What do you believe is the hardest part of writing a multi-POV unique or narrative?
When youre writing a short story or book, one of the most essential choices youll make is identifying which characters point of view (POV) you desire to use. A multi-POV short story or novel follows several characters perspectives, switching in between narrators at essential moments. Of course, more than one POV character may be present, so youll have to decide which character should narrate that scene. Some stories (like George R.R. Martins A Song of Ice and Fire series) can use numerous POV characters to their benefit– however this is the exception, not the guideline. Attempting to compose too numerous POV characters might also stretch your composing skills too thin and not leave you enough time or space to totally establish your characters or the story arc.