Eddy Boudel Tan: Five Things I Learned Writing After Elias

When the airplane piloted by Elias Santos crashes one week before their wedding, Coen Caraway loses the male he loves and the illusion of joy he has worked so tough to produce. The only thing Elias leaves behind is a recording of his last words, and even Coen is baffled by the puzzling message.

Numb with sorrow, he takes sanctuary on the Mexican island that was indicated to host their wedding. However as fragments of the previous come to the surface area in the consequences of the tragedy, Coen is required to question whatever he believed he knew about Elias and their life together. Beneath his problematic memory lies the reality about Elias– and himself.

From the damp concrete of Vancouver to the ruined coasts of Mexico, After Elias weaves the past with the present to inform a story of doubt, regret, and the fear of losing everything.

It isnt simple being funny when everyone is grieving

This story isnt totally grim and dismal. Like life itself, this story has minutes of pleasure and minutes of discomfort, plus whatever in between, and I want readers to feel the full range of these things.

My novel is about death. A pilot flies a plane into the sea one week prior to his wedding event day, and the story follows the fiancé as he attempts to make sense of the aftermath.

My novel is not a dark comedy, but I do want readers to come up for air and laugh at times. My preferred evaluations are the ones from readers who discovered themselves sobbing and laughing at different points throughout the story.

Mexico City stands on the ruins of an ancient Aztec capital

I took an impromptu journey to Mexico City when I was writing the unique, wishing to see and touch residues of the Aztecs. These individuals reside on through their genes and their heritage, and Mexico has been independent from Europe for nearly 2 centuries, however I cant help however lament what might have been, had it not been for manifest destiny.

This story could only be set in Mexico. The Mexican individuals have such a deep respect for death, and Ive always appreciated the stunning methods which they honor those theyve lost. These customs, from both their Colonial and native cultures, prevail throughout the book. They provide significance, in some cases in contradictory methods, to the protagonists journey as he has a hard time to make sense of his own tragedy.

Pieces of Aztec folklore and history make looks, and I fell into a research study rabbit hole learning about their fascinating beliefs and defeats. The capital of New Spain was developed on the ashes of Tenochtitlan, now understood as Mexico City.

Point of view is key, but voice is a bolt cutter

Whatever is subjective, naturally. There are readers (not to mention editors and representatives) who might judge a book more roughly based upon its tense or point of view. A reader will either get in touch with the voice, or they wont. However I learned to trust my impulses without overthinking them. I d rather connect deeply with a smaller sized group of readers through an unique voice than be considered safe enough by the masses.

The story is informed through a first person point of view, mostly in the present tense. I battled the choice for a while before recognizing there was no other method to inform this story the way I desired to inform it.

In the end, I discovered that there is no right or wrong method. Some options are more secure than others, however do I aim to be safe? Is that what I desire my work to be known for? Whats crucial is how everything comes together. That frequently includes a little bit of magic, something hard to define, however one critical ingredient is voice. Thats what brings a story to life, probably more so when its a first person point of view. People desire to get lost in a story. Technical sins can be forgiven when the reader is captivated. Ive liked lots of books with generous heaps of head-hopping, informing (instead of revealing), and all way of things authors are informed to avoid. I didnt observe or care, due to the fact that I was immersed, the characters felt genuine, and I purchased it all.

Music is as close a buddy as coffee

While I composed my very first book, After Elias, I had two albums playing on repeat: Battle Born by The Killers, and Conscious by Broods. “Le lac” by Julien Doré and “Holy Ghost” by BØRNS are also tunes that I associate carefully with the story.

When in the throes of writing a book, I become rather focused. I understand the story will not work unless Im obsessed with it. Motivation to write isnt usually a problem for me, but specific things assist the words circulation more freely. Music is one of these things.

I dont generally listen to music while Im composing– far too distracting!– but I curate a different soundtrack for the novels I write. These songs inscribe themselves onto the DNA of the story, capturing its mood and environment. Ill listen to them prior to a composing session to help myself slip into the ideal mindset, or while Im pondering the storys intricate details or bigger shape. Theres a symbiosis between music and literature that I find so important as an author.

Theres no such thing as a British accent

One of the characters is a woman honeymooning alone on the Mexican island where the book is set. English-speaking North Americans, such as myself, tend to lump together all things British.

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Eddy Boudel Tan is the author of After Elias (Fall 2020) and The Rebellious Tide (Summer 2021). His work depicts a world much like our own– the heroes are flawed, reality is distorted, and there is as much hope as there is heartbreak. Hes presently writing his 3rd book in the house in Vancouver.

Eddy Boudel Tan: Website|Twitter|Instagram

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A pilot flies an airplane into the sea one week before his wedding event day, and the story follows the fiancé as he attempts to make sense of the after-effects. Like life itself, this story has minutes of joy and minutes of pain, plus whatever in between, and I want readers to feel the full variety of these things.

My favorite reviews are the ones from readers who discovered themselves weeping and laughing at different points throughout the story. I battled the choice for a while prior to recognizing there was no other way to inform this story the way I wanted to tell it. Ill listen to them prior to a writing session to help myself slip into the ideal state of mind, or while Im considering the storys intricate information or bigger shape.

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