Enliven your description with vibrant verbs. Explain the message you want to convey. Select the actions that will bring that message to life.
Evil vs. good.
Sultry vs. innocent.
Timid vs. strong.
Beautiful vs. unsightly.
Youth vs. age.
A tube of lipstick.
A photo of an enjoyed one.
A bottle of alcohol.
A pot of flowers.
Compose the item of your option in 2 clearly opposite methods, utilizing verbs any place possible. :.
To practice explaining with verbs, pick one of the items listed below (or develop your own):.
There is absolutely nothing incorrect with this sentence– the flower is red, and it is gorgeous. Do you want your readers to openly admire the flower itself? The dew drops were no longer simply water, but “decorated” like gems, as if the flower actively selected to dress up and put itself on screen. Now the flower appears shy, mild and demure, like a lady purposely hiding her face. Your characters are in love, and the flower is now a shy 3rd participant, providing itself as a sign of their love.
Take fifteen minutes to compose. Share your two versions in the comments and dont forget to leave feedback for your fellow writers!
An excellent way to get a grasp on the principle of describing with verbs is to think about everything in a scene as a contributing character– things consisted of. Choose on their function and choose the suitable action, and you have a living, breathing scene.
Do you use vibrant verbs to boost description? Let us understand in the remarks.
Weve all been taught to “reveal not inform” when explaining something– appeal to the senses, describe every aspect of it, make the reader truly see and feel the scene. Does it look gorgeous, like the evening sun? Does it odor sentimental, like your grandmas spices? Does it feel smooth and soft, like wind and silk?
However there is much more to description than contrast and adjectives. Have you ever felt your writing is flat, in spite of how lots of beautiful words you use? Do you feel that youve described whatever to death, and yet the scene does not feel alive?
The difficulty is often an overuse of adjectives and adverbs. Thankfully, there is a simple fix– use vibrant verbs instead.
The 2-Step Process to Bring Your Scenes to Life With Vivid Verbs
Verbs as descriptions? you might ask. How do I do that?
Action 1: Decide on your message
The reality is, verbs have a lot to inform. Just like how action speaks volumes in life, verbs speak volumes in a story.
The flower was a lovely shade of red, its petals filled with dewdrops, reflecting the light of the sun.
There is absolutely nothing wrong with this sentence– the flower is red, and it is beautiful. But what are you attempting to say to your readers? There is nothing beyond the basic appearance of the flower.
Do you want your readers to openly appreciate the flower itself? Or take a look at it as something more, like a symbol of love or hope? Does it represent truthful charm or vanity? What function does this flower serve for your story?
Decide on the message you want to convey primary and very first.
Step 2: Choose the ideal verbs
People perform their actions with intent. In literature, plants and items do. Once youve chosen your message and how you want your challenge contribute to the scene, you need to choose the right “actions” for it to take.
Think about a scene where your character stumbles onto an abandoned lot in an apocalyptic wasteland and is amazed to find living plants growing in it, among which is a shockingly beautiful flower:
The flower displayed its strong red petals, decorated with sun-kissed dew drops.
Suddenly, the flower appears alive. It is still red, and full of dew, however now its also prideful, boasting its appeal to the viewer, setting itself apart from the desolation around it. The dew drops were no longer just water, however “decorated” like gems, as if the flower actively selected to dress up and put itself on display screen. Even the sun feels more alive with making use of the word “kissed.”.
Your character is drawn to this unexpected object out of its typical environment, complete of life and energy.
Now think about that your characters, a young couple in love, are sitting in a field having a hard time to admit their feelings. One of them finds a flower that might make a good spontaneous gift for the other:.
The flower blushed under the sun, rouge-red petals concealed under a layer of dew.
Now the flower appears shy, gentle and demure, like a girl consciously hiding her face. The point is more driven home by using the word “rouge,” which invokes the image of makeup. Your characters are in love, and the flower is now a shy 3rd participant, offering itself as a symbol of their love.
The Magic of Vivid Verbs.
The very same things explained using different brilliant verbs conjures up greatly different impressions. Not just that, they can contribute to the environment of a story far more highly than adjectives. Using description in this manner can likewise increase the strength of your story within its particular category.
A hero heading into battle in an impressive dream novel might cross a mountain path with trees “flexing to acknowledge his may” and a breeze “parting yard and leaves before him to give way.”.
In contrast, and old male grieving his lost youth on an early morning walk may see trees “bent and tired under the weight of their leaves, strangled by ivy,” and hear the wind “sighing its exhaustion, whispering tricks of days past.”.
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