The Secret to Writing the Middle of a Story

One of the methods you can make it even worse for your character is to add or bring to the leading edge a character who grates on the protagonist. Its even much better if it isnt the antagonist, due to the fact that the character anticipates tension from the villain. Lets have a look at how including an abrasive character can rev up the middle of your story and heighten your characters arc.
Specifying an abrasive character
The word abrasive makes me think about sandpaper– something that triggers friction. When I think about an abrasive individual, I picture the sort of people who make me most uneasy: individuals who cut at the coffeehouse when theres a long line, or those who sit behind me while driving telling me all the much better ways to get where Im going.
Abrasive characters dont need to be evil, loudmouthed, or perhaps rude. They simply need to act and speak in manner ins which complicate my day and make it harder or more frustrating to achieve my objective.
As you start to consider abrasive characters, here are a couple crucial methods to find and utilize such a character when youre writing the middle of a story.
Weaken your characters strength
In the middle of a story, a protagonist fails and tries to solve his problem. Hes drawing from his strengths and usually strolling the most convenient path he can to get what he desires. One method to complicate his journey is to take a look at your characters strength and include a character who is more powerful in those specific characteristics or skills.
In The Princess Bride, Inigo Montoya is trying to avenge his daddys death, while supporting himself as a mercenary swordsman. When ordered to kill the male in black, he begins the sword battle using his non-dominant hand.

PRACTICE
For todays practice, you have two options.
What are their strengths? Produce an abrasive character who will annoy them, and compose a scene in which they engage.
Heres your timely: an artist is preparing a piece she hopes will win an upcoming competitors. Create an abrasive character to complicate her story and write the scene.
Take fifteen minutes to write. When youre done, share your scene in the comments below, and make certain to leave feedback for your fellow authors.

If youve ever had the middle of a manuscript sag and feel sagging, congrats. Youre an author! Among the concerns I ask when get stuck writing the middle of a story is this: “How can I make this worse for this character?”

Find your characters strength and utilize a secondary character or new character to weaken his strength and surpass or defeat him.

Among the key aspects you may utilize is the very thing we try so tough to prevent daily: abrasive people.
How can an abrasive character press your characters arc, keep the plot moving, and deepen the theme? Keep reading to discover.

As a part of the character arc, frustration or defeat related to a strength is upsetting and demoralizing. The character discovers he has to depend on more than his strengths to get what he desires.
Victimize your characters weak point
We normally try to hide and prevent our weaknesses, particularly when were under pressure. To find an abrasive character associated to a lead characters weakness, it can be tricky to limit yourself to one location. Im dreadful at any variety of things on any provided day. Pick a weak point that the character needs to enhance in order to fix their issue.
For instance, lets state I have a character named Chloe who needs to land and keep a job to pay off a dubious loan she took out under bad suggestions. Chloes weak point is making decisions, and shes extremely dependent on others input, something that undoubtedly got her into trouble.
To add an abrasive character, I might provide Chloe a co-worker shes dependent on for success. I might make that co-worker more indecisive than Chloe, frustrating her at every turn. At the same time, I could present a requiring boss who presumes her indecision is incompetence, which threatens her position in the company.
In either circumstance, the abrasive character is preying on her weakness (even if unconsciously), forcing her to face it. When she makes small decisions, the character arc rises due to the fact that shes required to act and alter in pursuit of the goal.
Make complex a scenario
In some cases an abrasive individual challenges a characters deeply held beliefs. This is specifically effective if done on style, meaning the interaction with the abrasive character is parallel to the larger conflict.
Lets say I have a medical professional who loses the love of his life in a murder. He desires to bring the killer to justice, but in the end will be tempted to specific revenge rather. Through this character arc, the physician discovers his ethical limits and concerns how highly he thinks in “do no damage.”
In the middle of the story, I might present an abrasive character who uses to help find the killer using less than ethical means. Or the physician could discover one of his cherished terminal clients eliminated someone and wants forgiveness.
Both of these abrasive characters provide a dilemma that requires a choice, and choices drive the character arc.
Rejuvenate your storys saggy middle
Composing the middle of a story– and preventing a drooping plot– pesters every writer. Abrasive individuals may not be fun to socialize with in real life, however in your stories, they can offer your lead character the perfect push to grow and make tough options as a character.
Dispute may not be fun, but it sure is interesting. Why not keep your readers turning the pages with some abrasive characters?
Who irritates you on a personal or professional level and why? Can you believe of any protagonists in stories who need to handle abrasive characters? Share in the remarks.


Characters who dont deal with significant obstacles will not act in strong methods to get what they want. Instead of making it much easier for our characters, weve got to make conditions worse for them.

Sue Weems

One of the ways you can make it even worse for your character is to bring or include to the leading edge a character who grates on the protagonist. Lets take an appearance at how including an abrasive character can rev up the middle of your story and heighten your characters arc.
One way to complicate his journey is to look at your characters strength and add a character who is more powerful in those particular traits or abilities.
Can you think of any protagonists in stories who have to deal with abrasive characters? Develop an abrasive character to complicate her story and write the scene.

Take legal action against Weems is an author, teacher, and traveller with an innovative degree in (primarily fictional) vengeance. When shes not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the world with their four kids, two canines, and an impossibly high stack of books to read. You can learn more of her writing pointers on
her website.

Leave a Reply

Your email address will not be published. Required fields are marked *