Write Your First Novel: 8 Strategies for Creating Great Fiction

As authors, we know that the procedure of writing is composed of work and worry. The work is a grind of word counts and applied approach, however the worry– a mix of worry, resistance, doubt and stress to the process– can be harder to navigate.
During the four long years I invested writing my first novel, A Propper Man, I found out the significance of craft and routine in handling both the work and the concern.
If youre questioning how to begin writing a book, these techniques might help you satisfy your goals with less stress and fewer battles. The ideas on craft help form a strategy of attack for completing your daily work, while those focused on the routine and ruminations about the composing life aid you put that strategy into practice and discover the will to complete.
Craft suggestions for writing your first novel
The concept of craft can appear like a witchs brew when used to fiction, its no wonderful thing.
Sure, there are elements of fiction that are helpful weapons for your toolbox, in addition to tried and true storytelling approaches that are helpful to understand about. Mainly, though, the craft of fiction is made up of ruthless practice and process: the stumbling, mealy-mouthed verbosity of beginning and ending and revising that you need to use repeatedly, ad-infinitum.
As a composing professor as soon as discussed on the very first day of class, “Im going to dispose out my tool kit here on the floor. Take whatever you require– but know you might not require whatever.” Below are a few to think about.
1. Have a roadmap
The word “overview” is a polarizing one for fiction authors. All of us understand about this structure, but depending upon our experience and state of mind, we either enjoy or hate it.
Whatever viewpoint you have about describes, it does assist to have some sort of map or outline for where youre going, even if you only know the approximate path and have a couple of essential landmarks doodled on a bar napkin. As E.L. Doctorow notoriously said, “Writing a novel is like driving at night in the fog. You can see only as far as your headlights, but you can make the entire journey that way.”
If I needed to replace a scene, add one, or move a couple of around, it took seconds. From there, I moved to a more detailed scene-level summary that assisted me to structure the cause and result that advanced each scene and the story as a whole.
It took some time to discover a technique that worked. I prefer analog, however you may feel more comfy with a digital tool like Scrivener.
Experiment to find what works for you and after that customize it to align with your method to storybuilding. Have a map– even at night, you might need to pull over and refer to it now and once again.
2. Think about the significance of dispute and stakes
Amongst Kurt Vonneguts eight suggestions on how to compose an excellent story is this gem: “Every character needs to want something, even if it is only a glass of water.”
What makes a story truly compelling is how that character sets about getting it. What stands in his way, and how will he get rid of those obstacles? One of your jobs as a storyteller is to manipulate your character in such a method that the journey feels rewarding for the reader — even if all that character wants is a glass of water. Essential to this reader buy-in are the elements of dispute and stakes.
In literature, dispute is a fundamental incompatibility between the goals of two or more characters or forces. Conflict develops stress and interest in a story by adding doubt as to the result.
Be clear about your conflict: how the setting, other characters, and even regional and worldwide occasions knock into your characters desire to get what he desires. When dispute is clear, you help the reader much better comprehend what drives your characters inspiration.
Stakes reveal the reader what occurs if your character does not get what he wants after the run-in with dispute. Have some enjoyable raising the stakes to force your character to take action that might be unusually, even exceptionally, out of character.
Consider this circumstance: A guy rests on the highway twenty-five vehicles back from a slow-moving obstruction on the interstate, half an hour from his home. He could be stuck there an hour, perhaps longer. With low stakes, hes upset because he may miss the very first quarter of Monday Night Football. So he flips on the radio, checks his smart device and ekes along in line.
Now, what happens if the man gets a message that his young kid is mortally wounded, and hes the only one who can reach him in time to save his life? Suddenly, hes offroading into the average, blowing past the obstruction and racing towards his home at 100 mph with authorities cruisers in hot pursuit.
High stakes change inspiration and put your characters in interesting circumstances you didnt initially picture, which results in compelling, page-turning fiction.
3. Maintain measured scene beats: Your novels heart beats
Scene beats, or micro-tension, comprise the significant action that moves a story forward. In his Wonderbook, Jeff Vandermeer calls them “micro-cycles of ebb and setback, flow and development playing out within a scene.”
I wrote 4 variations of my novel prior to I lastly pegged its current course. The challenge? I composed a collection of disparate and sometimes tangentially-related scenes. In a vacuum, these scenes were fine, but when woven into a tapestry of chapters and scenes, a number of them fell flat. The setting, the dialogue and the characters didnt display enough micro-tension to move the story forward.
While many readers wont identify that your scene is missing a beat, theyll likely feel it in the method their minds wander as they consider turning another page or choosing up their smart devices to examine the current Buzzfeed list.
Be sure to examine the beats– the cause and effect– to preserve a determined development of the scenes shifts in emotional tone. The character goes into the space believing one thing is going to happen, just to find something else. Or, the character is examining a mystery, and discovers something shocking that changes the purpose of her mission.
If youre having a hard time with a scene and you cant quite figure out whats wrong, lay out the beats on the page. What does your character choose, and how does that option affect her?
4. Approach the modification process with passes, not drafts
Drafts are hulking, beastly things. They being in the corner and sulk as you plod through, page by page, trying to do whatever at when to reach the Second Draft.
Rather of taking a look at your revision procedure in regards to versions or drafts, think about passes. Passes are lighter, more jolly folks. They permit you the liberty to think about aspects of modification and to move faster through the process, like a painter including layers of color to a painting that is not completely realized.
One pass might be for research study, another few for character development and connection; maybe you add one pass each for setting, tone, and consistency of speech. Modifying and re-editing the very same copy consistently can seem Sisyphean– and ultimately causes ineffective tinkering.
Recognizing the passes needed to complete your project, then remaining disciplined as you move through each pass, makes the revision procedure appear less difficult.
Regular: Its necessary to writing your first book
Once you have the right tools and you understand what youre going to construct, how do you set about doing it? Thats where a sound individual approach to the psychology and regimen of fiction becomes essential.
You initially build an unique in your head, so its crucial to ensure its a efficient and safe location to work.
5. Recognize and overcome resistance
In his incredible book The War of Art, Steven Pressfield concentrates on resistance as a primary offender in avoiding creation. The forms of resistance are extremely personal and myriad.
For me, the typical suspects were errands, cleaning and looking for “legitimate” jobs online. I ate up hours, even entire days, withstanding the procedure of putting words on the page, up until I was sincere with myself about how I resisted composing. I kept a list and acknowledged my modes of resistance each time they appeared.
What modes of resistance do you fall victim to on those days when composing does not feel fun? Compose them down on big piece of paper and hang it over your desk.
Preserving that regimen is frequently the only thing that will assist you through the pits of despair in the middle of your book, when the fun has drained pipes from your writing and youre entrusted to the ditch-digging needed to finish the task.
6. Compose to a word count
Time and composing are weird bedfellows. Who is to state how long it should take to complete a story? But all of us face an easy reality: You cant compose a novel if you dont put words down on the page.
Composing 100,000 words takes time, discipline and some semblance of an arranged routine. Each author approaches this process in their own way, however my regular includes a dedication to an everyday word count instead of a time block. Composing to a word count rids me of the pressure of sensation continuously brief on time.
Some days, a thousand words takes me forty-five minutes. On others, I might extend three writing sessions out across several hours: at the cafe, in your home while making supper and waiting on the rice to cook, and sitting up in bed for a couple of minutes after I finish reading. Looking back, I will not keep in mind the quantity of time each session needed, only that I struck my word mark.
Set your own word count and make it possible. Dont modify, do not ponder, simply go and when your hand or fingers require a break, tally up the words. My guess is youll discover you have actually composed more than your daily target.
Do so if youre influenced to write more words. However give yourself the opportunity to stop. And when you stop, think for a minute about what youve accomplished, and how it felt. Learn to end up. Now do it every day, permanently … until you need a cheat day
7. Have a cheat day.
Dieting is a filthy word, but I love the concept of a cheat day: the one day every week when you consume anything you desire and decline to feel guilty about it.
Sure, all of us want to be best adherents to the dogma that composing every day is the only method to improve, however often life simply obstructs. And thats alright. You might have kids, or kids and a crazy task– or all the above, plus a house with a yard. If you can make time for composing, excellent, but if you cant, permit yourself one day where you dont judge your viewed lack of productivity.
Stop focusing on the days you dont compose. In time, you might discover getting rid of regret from the procedure, focusing your attention somewhere else, makes it easier to dedicate to a routine.
8. Find out to different fact from fiction when dealing with worry and doubt
Fear and doubt are possibly the most harmful forms of resistance; theyve likely avoided more art from reaching humankind than any other kind of artistic injustice.
When youre experiencing fear and doubt, take a minute to different truth from fiction. Disintegrate those things you called truth; “composing is hard,” “ending up an unique needs that I write a lot of words,” “publishing is made complex,” from the fiction: “nobody will ever check out about what I write,” “composing is a wild-goose chase and effort,” and “I have no talent.”
We all inform ourselves various fictions about creating art. To paraphrase Seth Godin: the concern is not how to get rid of worry, its how to dance with fear.
Putting this all into practice
The fact of the matter is that there isnt any one recipe for producing fantastic fiction. If it works, it works.
You find little happiness in finishing a novel; you want to complete a great novel if youre like me. You also want the next book to be even better. Crucial to this process is comprehending yourself: your inherent capabilities, and those that need more work and practice.
Listen to and tape what you gain from your composing jobs. Take from your composing the lessons that teach you as much about yourself as they do about your craft. In time, and with hard work and faith, this discipline will help you end up the individual masterwork youve constantly imagined producing. You will construct the technique behind the perceived madness of your innovative process, and the work originating from it.
Have you written a unique or other fiction job? Do any of these lessons resonate with you?
This is an upgraded version of a story that was previously published. We update our posts as frequently as possible to guarantee theyre beneficial for our readers.
Picture via franz12/ Shutterstock.

I ate up hours, even whole days, withstanding the process of putting words on the page, until I was honest with myself about how I resisted composing. We all face an easy fact: You cant write a novel if you do not put words down on the page.
Composing 100,000 words takes time, discipline and some form of an arranged routine. Writing to a word count rids me of the pressure of feeling constantly brief on time.
If youre influenced to write more words, do so.

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