Do I Need Sample Edits for my Book? Other Questions Answered by Orna Ross and Michael La Ronn in our Member Q&A Podcast

Do I require sample modifies for my book? This is among the concerns answered on our #AskALLi Members Q&A is hosted by Michael La Ronn, author of sci-fi and dream books along with author self-help books; and ALLi Director, author, and poet Orna Ross.

Our concerns this month include:

Can I use another persons trademark in my book title?
When I commission art work, does the copyright belong to me or the artist?
How can I design and format a book cover ready for printing? Or would a printer do that?
How do I submit a book to IngramSpark without needing to pay any charges?

Join us to hear the responses to these and more!

And, if you havent already, we invite you to join our organization and end up being a self-publishing ally. You can do that at http://allianceindependentauthors.org.

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For those of you who have not tuned in previously, this is our regular monthly Q&A, and our members have lots of methods in which they can get their self-publishing advice questions responded to. We have, of course, a closed Facebook online forum where you can put your concern and get responses from our other members, and the hive mind is a source of great wisdom. Anyone can listen in to this broadcast, but just our members can in fact submit questions.

Check out the Transcript: Sample Edits and More.

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Do I require sample edits for my book? This is among the concerns addressed in the #AskALLi Member Q&A #podcast, with @OrnaRoss. Click To Tweet.

So, first question, Michael typically understands who theyre from and has the longer question, so I simply get the brief concern here. So, Im going to work from that.

See the Q&A: Sample Edits and More.

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Michael La Ronn is the author of over 30 books of science fiction & & fantasy and authors self-help books. His books consist of the Galaxy Mavericks series and Modern Necromancy series. You can now discover his brand-new writing course on Teachable.

Orna Ross: Hello everybody, and welcome to the Alliance of Independent Authors Member Q&A. Usually I state, with me Orna Ross and with Michael La Ronn, but Michael cant be with us today, so its simply me, Im afraid. It wont make a big difference to the Q&A, though its constantly great to have Michaels perspective, particularly his legal brain, however we do not have any heavy legal concerns today.

For those of you who are viewing this live session, I understand lots of people will be viewing in replay, but if you are here live, this session is also a chance to get your questions addressed here, live. So, just enter them into the chat when you wish to, and if you have any questions that are triggered by the answers to the set up concerns, then yes do not hesitate to pop them into the chart location. And yeah, simply tell us whos here and where youve originated from and so on, and well get on the concerns now.

Orna Ross released the Alliance of Independent Authors at the London Book Fair in 2012. Her work for ALLi has actually seen her named as one of The Booksellers “100 leading individuals in publishing”. She likewise releases poetry, nonfiction and fiction, and is significantly thrilled by the democratising, empowering potential of author-publishing. To learn more about Orna, visit her site: http://www.ornaross.com.

Do I need sample edits for my book?

This concern is, do I require sample edits for my book?

Im assuming this concern is from a member whos in the editorial phase of their publishing and they are seeking an editor and wondering whether they must get sample edits from the editor in order to see whether its a fit.

So, short answer to the question is, you dont need to get them, however it is advisable to get them. And while were on it, in regards to working with editors, its always recommended to offer plenty of time to the hire procedure. Do not just take the very first person that occurs. Its great to have an editor who operates in your genre. Not necessary, however constantly good. Its likewise excellent to see other feedback and remarks from other authors who have actually utilized them. Dont just go by reviews on the website, also go directly; if you do see a testimonial on an editors website, feel free to go directly to that author.

If you see an author thanking an editor in the back of their book, feel free to ask them about their experiences. The majority of authors are extremely happy to share their experience with editors and, its a fit thing, not every editor fits every author, its about finding the right one. In some cases it takes a while, theres trial and mistake procedure included, prior to you find the right individual, and when you do, its a bit like with a date or something, when you do discover the ideal individual, you know it. Thats it, and sample edits have their place in that process, certainly.

You might discover an editor that youre interested in will not desire to do that, but it provides you a sense of where the editor is coming from, and it provides them a sense of the phase that your work is really in, because in some cases as authors, we think were further along than we really are. We might be looking for checking, but actually be in need of copy editing, or certainly even something more than that, developmental modifying. Its a good concept to utilize samples, I believe.

Can I utilize somebody elses trademark in my book?

Okay, next question. Can I use somebody elses trademark in my book title?

While were on it, in the UK, US, and lots of nations that are governed by bare copyright, copyright is not a universal, global thing, its a local thing, and various countries are ruled by various copyright laws, but in the English speaking world, commonly, there is no copyright in titles, so its a tricky and a complicated area, but we constantly give the advice to stay as safe as you can, remain on the right side of things, rather than putting yourself in a situation where you may discover yourself in problem.

Rather than putting yourself in a circumstance where youre worried about something, and where you have a possible legal concern on your hands, its far much better to change it up and believe of another method, another name, another term. Were not constrained in what we do, but in some cases we constrain ourselves, and we can believe we actually require something for our book, however in fact we dont require it as much as we require to keep ourselves on the best side of the law, and material, and not stressed about things like this.

I think the brief answer to this one is no. The factor that people hallmark is so that people will not do things like that, however hallmark and copyright are different things, and books, usually speaking, are governed more by copyright than by trademark, though there are exceptions, especially with certain non-fiction books.

When commissioning artwork, does the copyright come from me or to the artist?

Next question, when I commission artwork, does the copyright belong to me or to the artist?

So when you set that out, you ask for what you need and you do not request more than you need, in the exact same method that if a trade publisher or rights buyer was occurring to ask to license your copyright for a trade publishing edition or a translation, or whatever, you would want them to just take the rights they need to do whatever job theyre preparing, that they would put energy behind.

There is a middle way, and the sample agreement points up that method, but basically, if youre believing of the idea of fairness and being fair to them and reasonable to you, you license it for the usages that you need it for, and that normally is the cover of the book, or in the interior, or whatever you need, whatever it is you require from them, whatever uses you need in whatever formats youre actually publishing in. Print, tough print, big print, and so on. Stating all of this in the agreement makes it clear in the agreement so that later, everybody understands what has actually been accredited and what hasnt.

Another copyright concern and once again, like all copyright concerns, the answer is hardly ever a basic black and white response. You can have arrangements whereby they give up that right, and you require to, in your agreements with an illustrator, or your cover designer, or any person who does visuals for you, you require to be really clear about what you are accrediting and what youre not licensing.

If anyone has any other questions, do feel free to pop them into the chat, well get to them after we go through the arranged questions, if youve got anything pressing on your mind.

In the rights arena, theres a huge tendency to grab as lots of rights as possible, due to the fact that you never ever quite know in publishing whats going to take off and whats not. Therefore, individuals protect themselves by trying to get all the rights when they dont have a strategy to exploit them. Do not be that individual, be reasonable to our fellow imaginative professionals.

We have a sample contract in the member zone, which you can discover if you visit and browse to agreements, and youll see sample agreements in the dropdown menu, and there is one there for working with designers and illustrators. Which offers you a concept of what youre looking at, but basically what youre trying to do when you work with another imaginative professional is to be fair to you and to be reasonable to them, and it definitely isnt reasonable for you to get their copyright, particularly because many of us are not paying a big cost to the artist.

Should I create and format my own book cover?

Next scheduled concern is, how can I design and format a book cover all set for printing? Or would a printer do that?

So, as I stated, if youre asking that concern, then the response is no, you should not go there. Its not the printer who does it, its the publisher. So, the publisher is the individual who is caring for the editorial, the style, the circulation, the marketing, the promo, and the production of the book which, for us indie authors, thats very often us. Sometimes, we hand that job over to a paid service who does the lot, but more usually we hire individual services for individual parts of the publishing process, so thats what you would do here. You would employ a cover designer who is a specialist in that arena, and to discover such a person, if youre an ALLi member, simply log in to the member zone and navigate to the services area, and we have there all our authorized partner members, and youll be able to search out a cover designer who operates in your category and on the kinds of books that you wish to write.

Cover art is art, and it has business. It has conventions, it has tropes, its very genre-dependent, its complex. It takes great deals of experience to become a book cover designer. So, even your regional competent designer or your member of the family, whos a fantastic illustrator, theyre not necessarily qualified to do book cover art, at all.

I have no idea who is asking these questions today, due to the fact that as I stated, Michael isnt here and he typically does that, however I would state that the very truth that youre asking this question in this method suggests that no, you definitely should not do your front cover.

Yeah, brief response, its an expert thing and certainly one to be left to the professionals.

Do I require to register my pen name, and does it affect copyright?

So, we have a concern coming in here from Facebook. Do I need to register my pen name and does utilizing a pen name impact copyright?

Yeah, you can absolutely feel free to just use whatever names you want on your book covers. Its important that your pen names, if you have more than one, correspond. The factor individuals get into various pen names is due to the fact that theyre writing in various genre, and they dont want individuals to get puzzled about what they compose, it just makes it simpler to have a variety of pen names.

Just publishing your book in your pen name, putting it out there, thats it, you now are that person for the functions of releasing and composing, and lots of our members have a number of pen names. Its extremely typical in the author community to utilize a pen name, Orna Ross, is in reality a pen name.

The other part of your concern is, does using a pen name affect copyright?

So, ideally that was useful. Sorry, I do not have your name.

No, it doesnt. Again, its extensively acknowledged by copyright legislation that artists, particularly writers, use pseudonyms. So, it does not impact your legal rights in any way.

How do I get the IngramSpark discount rate?

How do I submit a book to IngramSpark without having to pay any costs?

If you are utilizing IngramSpark for your print editions, and we suggest that you do, due to the fact that they have the best reach in terms of getting your book to as lots of shops as possible around the world, and undoubtedly Amazon itself uses Ingram for fulfillment a lot. We recommend though that you use amazon KDP for the Amazon system. So, the 2 work in conjunction really well together.

Yes, IngramSpark has costs, and you can get those fees for uploads and for modifications and changes waived by using a code, which you will find in the discounts and offers area of the ALLi website. If you just log-on, youll require your password, log on with your typical e-mail and password, and if you just search there, youll find the IngramSpark code and you go through your normal uploading, or whatever process that you usually go through, and then youll get the possibility to put the code in at the end. So, the expenses will turn up, however then they will be waived as soon as you put the code in.

Hopefully that works for you. Its a wonderful advantage and were really grateful to IngramSpark for providing this service to our members.

That is a question which connects to our discount rates and offers for IngramSpark. So, IngramSpark is a partner member of ALLI and a sponsor of a variety of our podcasts, and they also offer our members with a discount rate, a full discount, off the expenses of publishing.

Is there a sample contract to utilize with graphic designers?

Our sample contracts are made to be altered. The sample agreements are simply that, theyre not set in stone at all, theyre guidelines for you to use.

So, that is it on this months member questions. Those of you who submitted concerns that were not addressed here in the live program, you will have received an email from us with a direct response, and the reason that not every question enters into the live stream is since we are passing by concerns that we handled them last month or in recent shows, we tend to answer that independently, or if its a very particular concern, particular to you, that does not really have a lot of importance for everyone else.

For those of you who havent tuned in previously, this is our monthly Q&A, and our members have lots of ways in which they can get their self-publishing guidance concerns responded to. Simply enter them into the chat when you wish to, and if you have any concerns that are prompted by the answers to the set up questions, then yes feel totally free to pop them into the chart location. Brief answer to the concern is, you dont require to get them, but it is a good idea to get them. Another copyright question and once again, like all copyright questions, the answer is seldom a simple black and white answer. Again, youll find the location to do that in the member zone, simply go to Member Q&A, and fill out the kind and we will take the concerns here.

Another concern can be found in here online, do you have a sample agreement specifically for a graphic designer utilizing stock art to produce a cover? Something that would make it clear they have the proper license themselves.

But again, bear in mind that there are great deals of methods to get your concerns addressed at ALLi and among the important things that we are here for is one of our AskALLi project promises, that we can answer any self-publishing concern that you might have.

If we do not have any other questions here in the actual live stream, then that is it for today. Do keep your questions coming. Again, youll find the location to do that in the member zone, simply go to Member Q&A, and complete the form and we will take the concerns here.

So, up until next week when we will be back with the Foundational Podcast, Sacha Black and I will both be here together, taking a look at our theme for next time. So up until then, I hope you have a good writing and publishing week. Thank you for occurring. Bye-bye now.

Sometimes, something like that, as to whether the illustrator has the right licensing process in themselves, and I agree with you that this is a really important concern, a reliable designer will always have the proper licenses covered off. And they will charge you probably, if they see something online or in a stock library, or whatever, you will be charged for that image as part of the general charge for the cover. And its truly essential that they have the appropriate licensing in place, however in some cases those concerns are best covered off in the e-mail instead of in the agreement. Its a matter of choosing what goes into the contract, and weve kept the contracts simple and brief and as easy to use as possible. It would be a decision, I would state, but that discussion is something that you could probably have in the e-mail, and emails provide a written account of the agreement, which are as legally binding as the signed contract that goes along with them. Its all part of the same thing, and its your decision as to whether you want to put that in as a clause in the agreement or whether you want to simply have it as part of the conversation when youre employing the person.

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